Annie Miller
Annie Miller | |
---|---|
Miller, painted by Millais, 1854 | |
Born | 1835 Chelsea, London, England |
Died | 1925 (aged 89–90) Shoreham-by-Sea, West Sussex, England |
Annie Miller (1835–1925) was an English artists' model who, among others, sat for the members of the Pre-Raphaelite Brotherhood, William Holman Hunt, Dante Gabriel Rossetti and John Everett Millais. Her on-off relationship with Holman Hunt has been dramatised several times.
Early life
Annie Miller was born in 1835 in a cottage in Chelsea near the Duke of York public house. Her father Henry had been a soldier in the 14th Dragoons and was wounded in the Napoleonic Wars. Her mother was a cleaner. She had a sister Harriet. When her mother died aged thirty-seven they moved in with relatives and her father worked for a local builder.[1]
She was working as a barmaid when she attracted the attention of Hunt.
Pre-Raphaelite modelling
Miller was the subject of Hunt's 1853 painting The Awakening Conscience, though the face was later repainted by the artist. Hunt had planned to marry Miller; before he left for Palestine in 1854, he made arrangements for her to be educated while he was away. Hunt also left a list of artists, including Millais, for whom Miller could sit. However, during Hunt's absence and contrary to Hunt's wishes she also sat for George Price Boyce and for Rossetti. For Rossetti she appeared in works such as Dante's Dream on the Day of the Death of Beatrice: 9th of June, 1290 and Helen of Troy.
Break with Hunt and marriage
Hunt returned from his travels in 1856. Ford Madox Brown described Annie as 'siren-like' and her connection with Rossetti caused a rift between Rossetti and Hunt.[2] Annie became involved with the 7th Viscount Ranelagh even though Hunt proposed to her. As a result, Hunt finally broke off the engagement in 1859. Thereafter Boyce and Rossetti competed for sittings with her with Rossetti usually winning, though this caused Rossetti's wife Elizabeth Siddal on one occasion to throw his drawings of Annie out of the window.
After Hunt broke off the engagement, Annie sought help from Ranelagh, who suggested to her that she should sue Hunt for breach of promise, but eventually Ranelagh's first cousin, Captain Thomas Thomson, fell in love with her. On 16 June 1862 Boyce saw her at the International Exhibition "looking as handsome as ever, walking with a young man, rather a swell". This was probably Thomson.[3] They married on 23 July 1863 at St Pancras Church.[4] Thomson then suggested that they threaten to give Annie's trunk full of letters from Hunt to the newspapers. This would embarrass Hunt's family and the Waughs, his in-laws. Hunt's friends assumed that he bought back the letters.
Whether or not Miller had a sexual relationship with any of her admirers before her marriage is not known. Gordon H. Fleming asserts that Ranelagh admitted to Hunt that Miller had been his mistress,[2] but according to Jan Marsh, this might not have been the case. Marsh says that "she was undoubtedly lively, attractive and even flirtatious" and there was gossip about her relationship to Hunt. However, Marsh goes on to assert that "it may be hard to believe that she could have succeeded without the judicial use of sexual favours – to Hunt, Rossetti, Ranelagh, Thomson and maybe others – but there is no evidence to prove that she did and much, from her relationship with Hunt, to suggest her reluctance to become 'gay'. It seems to me quite possible that she remained 'pure'."[5]
Later life
On 11 October 1866 she gave birth to a daughter, Annie Helen, at Montrose House in Hampstead. In 1867 she gave birth to a son, Thomas James.[6] She is not thought to have had more children, but years later Hunt encountered her on Richmond Hill, "a buxom matron with a carriage full of children" and learned that she was happily married.[2] Annie's husband died aged 87, at 6 Western Road, Shoreham-by-Sea, in 1916. Annie Miller lived for another 6 years after her husband's death, dying aged 90 in 1925. The family probably moved to Shoreham-by-Sea to be near a Thomson aunt, a Miss Sturges.[1]
Dramatic portrayals
Annie Miller was played by Caroline Coon in Ken Russell's film Dante's Inferno (1967). In The Love School (1975) she was portrayed by Sheila White. Julie Cox voiced her role in Robin Brooks's trilogy of radio plays The Golden Triangle (1998). In Desperate Romantics (2009) she was played by Jennie Jacques. In the latter two dramatisations, she is depicted as a prostitute.
References
- ^ a b B M J Major. "Annie". Archived from the original on 25 October 2009. Retrieved 15 August 2009.
- ^ a b c GH Fleming, That Ne'er Shall Meet Again: Rossetti, Millais, Hunt, 1971, Michael Joseph, pp. 132–4.
- ^ Christies, Victorian & British Impressionist Art, 15 December 2011 Sale Catalogue.
- ^ Verified with Register of Births, Marriages and Deaths, Sept qtr 1863, Pancras District
- ^ Marsh, Jan, Pre-Raphaelite Sisterhood, Quartet, 1985, p. 228
- ^ "Notes on No18 Kensington Gore, Holman Hunt's house". Archived from the original on 3 March 2016. Retrieved 12 August 2009.
External links
- Birmingham Museums & Art Gallery's Pre-Raphaelite Online Resource
- pre-raphaelite.net
- Biography from Christies
- Portrait
- Pre-Raphaelite Sisterhood
- v
- t
- e
artists and
figures
- Lawrence Alma-Tadema
- George Price Boyce
- John Brett
- Ford Madox Brown
- Lucy Madox Brown
- Richard Burchett
- Edward Burne-Jones
- Georgiana Burne-Jones
- James Campbell
- John Collier
- Charles Allston Collins
- Frank Cadogan Cowper
- Evelyn De Morgan
- Walter Deverell
- Henry Treffry Dunn
- William Dyce
- Henry Holiday
- Arthur Hughes
- Edward Robert Hughes
- Frederic Leighton
- Robert Braithwaite Martineau
- Louisa Beresford, Marchioness of Waterford
- William Morris
- Alexander Munro
- Joseph Noel Paton
- Valentine Cameron Prinsep
- Christina Rossetti
- John Ruskin
- Emma Sandys
- Frederick Sandys
- Thomas Seddon
- Elizabeth Siddal
- James Smetham
- Rebecca Solomon
- Simeon Solomon
- John Roddam Spencer Stanhope
- Marie Spartali Stillman
- John Melhuish Strudwick
- Algernon Charles Swinburne
- Henry Wallis
- John William Waterhouse
- William James Webbe
- William Lindsay Windus
well-known
works
(period and
post-period)
- Ophelia
- Christ in the House of His Parents
- A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
- Ecce Ancilla Domini
- Mariana
- The Light of the World
- Our English Coasts ('Strayed Sheep')
- The Scapegoat
- Paolo and Francesca da Rimini
- The Last of England
- Work
- The Awakening Conscience
- The Hireling Shepherd
- April Love
- Found
- Autumn Leaves
- Bocca Baciata
- Oxford Union murals
- Lady Lilith
- Roman Widow
- Mary Magdalene
- The Finding of the Saviour in the Temple
- Morgan le Fay
- Beata Beatrix
- The Shadow of Death
- Proserpine
- A Vision of Fiammetta
- Pygmalion and the Image series
- The Beloved
- Cymon and Iphigenia
- King Cophetua and the Beggar Maid
- The Day Dream
- The Golden Stairs
- Dante and Beatrice
- Love's Messenger
- The Magic Circle
- The Legend of Briar Rose
- The Lady of Shalott (Waterhouse)
- The Roses of Heliogabalus
- Lilith
- Eos
- Flaming June
- Hope
- Hylas and the Nymphs
- Lady Godiva
- The Love Potion
- The Lady of Shalott (Hunt)
- I Am Half-Sick of Shadows, Said the Lady of Shalott
- The Germ
- Hogarth Club
- Morris & Co.
- Rossetti and His Circle (1922 book)
- Dante's Inferno (1967 film)
- The Love School (1975 series)
- Desperate Romantics (2009 series)
- Effie Gray (2014 film)