Hellenic Institute of Byzantine and Post-Byzantine Studies in Venice

Research center in Venice, Italy
Building of the Institute

The Hellenic Institute of Byzantine and Post-Byzantine Studies in Venice (Italian: Istituto Ellenico di Studi Bizantini e Postbizantini di Venezia, Greek: Ελληνικό Ινστιτούτο Βυζαντινών και Μεταβυζαντινών Σπουδών στη Βενετία) is a research centre owned and funded by the Greek state in Venice, Italy, focusing on Byzantine and Post-Byzantine/Modern Greek studies. It is the only Greek research institute abroad.

The institute was founded in 1951, and operates under the auspices of the Greek Ministry of Foreign Affairs, with its educational activity coordinated by the Greek Ministry of Education.[1] The Institute owns several buildings associated with the formerly vibrant Greek community of Venice, most notably the church of San Giorgio dei Greci and the Flanginian School. It also operates its own museum and archive, which house a collection of 300 icons and numerous manuscripts, most notably a copy of the Romance of Alexander the Great.[1]

See also

  • Hellenic Institute of Byzantine and Post-Byzantine Catalog of Paintings

References

Wikimedia Commons has media related to Hellenic Institute of Byzantine and Post-Byzantine Studies, Venice.
  1. ^ a b "Hellenic Institute for Byzantine and Post-Byzantine Studies in Venice". Greek Ministry of Foreign Affairs. 5 August 2019.

Bibliography

  • Tselenti-Papadopoulou, Niki G. (2002). Οι Εικονες της Ελληνικης Αδελφοτητας της Βενετιας απο το 16ο εως το Πρωτο Μισο του 20ου Αιωνα: Αρχειακη Τεκμηριωση [The Icons of the Greek Brotherhood of Venice from 1600 to First Half of the 20th Century]. Athens: Ministry of Culture Publication of the Archaeological Bulletin No. 81. ISBN 960-214-221-9.

External links

  • Homepage

45°26′09″N 12°20′41″E / 45.4357°N 12.3446°E / 45.4357; 12.3446

  • v
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Principal proponents
Other artistsMajor works
  • Virgin of the Passion (Tzanfournaris, 1600–1630)
  • Catherine of Alexandria (Palladas, 1612)
  • Christ Pantocrator (Palladas, 1608-1645)
  • In You Rejoiceth (Kavertzas, 1615–1648)
  • The Crucifixion (Paleokapas, 1635–1640)
  • The Last Judgment (Kavertzas, 1640–1641)
  • The Crucifixion (Margkazinis, 1647)
  • The Last Judgment (Moskos, 1653)
  • In Thee Rejoiceth (Poulakis, 1640–1692)
  • The Stoning of Stephen (Skoufos, 1645-1685)
  • Saint Mark (Tzanes, 1657)
  • Mary Magdalene (Tzanes, 1650–1685)
  • Christ the Vine (Moskos, 1650-1690)
  • Christ Enthroned (Moskos, 1653)
  • Christ Enthroned (Tzanes, 1664)
  • Saint Theodora (Tzanes, 1671)
  • Christ the Vine (Victor, 1674)
  • Tree of Jesse (Victor, 1674)
  • The Vision of Constantine (Moskos, 1678)
  • Lady the Lambovitissa (Tzanes, 1684)
  • The Crucifixion (Moskos, 1711)
Related
  • v
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  • e
Principal proponents
Other artists
Major works
  • The Virgin Eleousa (1425–1457)
  • Saint Anne with the Virgin (1425–1457)
  • Christ the Vine (1425–1457)
  • The Virgin Pantanassa (1436–1492)
  • Jesus Hominum Salvator (1436–1492)
  • The Crucifixion (Pavias) (c. 1440–1512)
  • Christ Bearing the Cross (1487–1501)
  • Madre della Consolazione (1490)
  • Nursing Madonna and Child (Permeniates) (1520–1530)
  • Madonna of Constantinople (1530)
  • Adoration of the Magi (El Greco) (1565–1567)
  • Dormition of the Virgin (El Greco) (1565–1566)
  • Modena Triptych (1568)
  • In Thee Rejoiceth (Klontzas) (1560–1608)
  • Adoration of the Kings (Damaskinos) (c. 1587–1591)
  • The Last Supper (Damaskinos) (1587–1591)
  • The Last Judgement Triptych (Klontzas) 1560–1608
  • Beheading of John the Baptist (Damaskinos) (1590)
  • Virgin Nikopoios (1594)
  • Stoning of Stephen (Damaskinos) (1591)
  • Vision of the Apocalypse (Bathas) (1596)
  • Portrait of Gabriel Severus (1577–1599)
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