Homage (arts)
Homage (/ˈhɒmɪdʒ/ or /ˈɒmɪdʒ/) is a show or demonstration of respect or dedication to someone or something, sometimes by simple declaration but often by some more oblique reference, artistic or poetic.[1] The term is often used in the arts, where one author or artist shows respect to another by allusion or imitation; this is often spelled like and pronounced similar to the original French hommage (/oʊˈmɑːʒ/).[2]
Description
It was originally a declaration of fealty in the feudal system – swearing that one was the man (French: homme), or subordinate, of the feudal lord.[3] The concept then became used figuratively for an acknowledgement of quality or superiority. For example, a man might give homage to a lady, so honouring her beauty and other graces. In German scholarship, followers of a great scholar developed the custom of honouring their mentor by producing papers for a festschrift dedicated to him.[4]
In music, homage can take the form of a composition (Homage to Paderewski), a tribute album (Homage to Charles Parker) or a sample.[5] Digital techniques used to generate many forms of media make it easy to borrow from other works, and this remediation may be used in homage to them.[6]
See also
- Allusion
- Intertextuality
- Pastiche
References
- ^ "homage". dictionary.cambridge.org. 19 December 2020. Retrieved 19 December 2020.
- ^ Zimmer, Ben (5 November 2010). "Homage". The New York Times. Retrieved 23 October 2017.
- ^ Vauchez, Andre (2000), "Homage", Encyclopedia of the Middle Ages, vol. 2, Fitzroy Dearborn Publishers, ISBN 9781579582821
- ^ Derricourt, Robin M. (1996), An author's guide to scholarly publishing, Princeton University Press, ISBN 0691037094
- ^ Shepherd, John (30 January 2003), "Rock Homage", Continuum Encyclopedia of Popular Music of the World, A&C Black, ISBN 9780826463210
- ^ Grusin, Richard (October 2007), Routledge encyclopedia of narrative theory, Taylor & Francis, ISBN 9780203932896
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concepts
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works
- L.H.O.O.Q. (1919)
- "Pierre Menard, Author of the Quixote" (1939)
- Reality Hunger: A Manifesto (2010)
- Dada
- De Copia Rerum
- Diegesis
- Dionysian imitatio
- Mimesis
- Nachahmung
- Palimpsests: Literature in the Second Degree
- The Pictures Generation
- Pop art
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- Russian formalism
artistic concepts
- Academic dishonesty
- Appropriation in sociology
- Articulation in sociology
- Cultural appropriation
- History of printing
- Information society
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- Meme
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- Recontextualisation
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