Los Sueños

You can help expand this article with text translated from the corresponding article in Spanish. (November 2014) Click [show] for important translation instructions.
  • Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
  • Consider adding a topic to this template: there are already 1,936 articles in the main category, and specifying|topic= will aid in categorization.
  • Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
  • You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Sueños y discursos]]; see its history for attribution.
  • You may also add the template {{Translated|es|Sueños y discursos}} to the talk page.
  • For more guidance, see Wikipedia:Translation.

Los Sueños (Dreams or Visions) is a satirical prose work by the Spanish Baroque writer Francisco de Quevedo. Written between 1605 and 1622, it was first published in Barcelona in 1627 under the title Sueños y discursos de verdades descubridoras de abusos, vicios y engaños en todos los oficios del mundo ("Dreams and discourses on truths revealing abuses, vices and deceptions in all the professions and estates of the world").[1] Due to the strict censorship of the time, which had already caused problems for Quevedo, in 1631 expurgated versions of the Dreams were published under the name Juguetes de la niñez.

Los Sueños consists of five sections, each describing a satirical dream vision of the next world:

  1. El Sueño del Juicio Final ("The Dream of the Last Judgement")
  2. El Alguacil Endemoniado ("The Bedevilled Constable")
  3. Sueño del Infierno ("The Vision of Hell")
  4. El Mundo por de dentro ("The World from the Inside")
  5. Sueño de la Muerte ("The Dream of Death")

Quevedo's pessimism, as befits the baroque, poses a divine justice closer to punishment than to grace. The stories oscillate between philosophical and moralistic disquisitions. He explains the types of men, how the human race is doomed and the nature of demons, and attacks the vices of his contemporaries.

References

  1. ^ Introduction to the English translation (Dreams) by R.K. Britton (Aris & Phillips, 1989)
  • v
  • t
  • e